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These include the melancholy rock ballad known as вЂњIn Front of Me,вЂќ as well as вЂњArtillery,вЂќ the hip-hop track featuring Swollen Members, made famous by the Adam Sandler movie You DonвЂ™t Mess With The Zohan, and the pop-oriented, semi-sarcastic anthem called вЂњForgive Me.вЂќ Tracks like these, which stray unnervingly far from the bandвЂ™s psytrance roots, may be a problem for some of their earlier fans. There are, however, some short tracks on the album that stand out from the rest, which potential listeners should be warned of.

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I would require a full page just to explain everything I love about this track, but briefly speaking, from the looming вЂњdanger overheadвЂќ tone set by the ominous вЂњgongsвЂќ in the beginning, to the orchestral guitar synths and modulated vocal samples, to the sudden change in mood dead in the center of the song, which leads up to one of the most profound and passionate guitar solos of the decade, this near 9-minute musical manifesto of emotional havoc is an adventure all on its own. If, for some reason, the rest of the tracks donвЂ™t appeal to your senses, this one might just make you change your opinion.

In addition, each track seems to have a special feature that makes it stand out from the other tracks, such as the smorgasbord of heavy but catchy guitar riffs in вЂњSuliman,вЂќ the build-up in вЂњVicious Delicious,вЂќ which may be the longest, most intense and emotional build-up I have ever heard, and the build-up in вЂњSpecial Place,вЂќ which gradually picks up tempo as it goes on, but constantly adds more and more layers of percussion throughout, making it seem like the tempo isnвЂ™t actually increasing, but consistently resetting itself, like a motorcycle shifting gears.ДЈ.

Each track on the album is unique in its own right, yet still maintains that signature Infected soundscape that makes each track both mind-bending and dance-inducing at the same time. This gives the album a unifying quality, making it seem much more like an experience, or a journey, if you will, rather than a mere playlist.Дў. Nearly every track blends into the next one, although sometimes itвЂ™s not as obvious as in others. Each track flows beautifully with both the following track and the previous. That would be kind of superficial, wouldnвЂ™t it? No, I had a long, thorough listen to the album as a whole, multiple times before actually going out and spending money on it, and the three features that made me fall in love with it are as follows:ДЎ. After doing some research on the album, and especially after seeing that the cover art had been designed by David Ho, using the same morbid Asian girl from SeetherвЂ™s album, Finding Beauty in Negative Spaces, I knew I had to get it on my CD shelf.ДonвЂ™t get me wrong, though I didnвЂ™t buy the album just for three tracks mentioned above, one of which was a radio hit single, and the cover art. So, after all that, you can imagine my delight when I stumbled across such wonders as вЂњHeavyweight,вЂќ Suliman,вЂќ and вЂњBecoming Insane,вЂќ three psytrance-based tracks slathered with heavy rock riffs that get stuck in your head for days and days. I became interested in electronica when I saw Aphex TwinвЂ™s music video for вЂњCome To Daddy,вЂќ which sent me on a search to find more music that would melt my brain which bizarre synths and sound effects, while still satisfying my craving for that heavy metal distortion sound that I loved so dearly. In 2008, I was 16 years old, and was really into metal and hard rock, and all things related. It is the first Infected album IвЂ™ve ever heard, and has been with me since 2008, when I first took an interest in electronic music. Of all the albums IвЂ™ve ever owned, whether CD, mp3, or tape cassette, Vicious Delicious is by far my favourite. Review Summary: Maybe not be everyone's cup of coffee, but undeniably one of the most powerful and innovative psy-trance albums of all time.

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